Jonathan Ehrenberg

Jonathan Ehrenberg

  • Work
    • The Capital of Fine is OK, Essex Flowers, NY, NY
    • Coordinates, Essex Flowers, NY, NY
    • Clay, Essex Flowers, NY, NY
    • Horizon, Fish Island Gallery, Darien, CT
    • Installations at The Drawing Center, NY, NY
    • Stele
    • Fantasy Can Invent Nothing New, SculptureCenter, LIC, NY
    • Bad Tools, SculptureCenter, LIC, NY
    • Constructs
    • The Outskirts, Nicelle Beauchene Gallery, NY, NY
    • Monument
    • Seed
    • Moth
    • The Blue Hand
  • Bio
  • Press
  • Contact
Articles and Reviews
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Daily Lazy, “Metafiguration at Tops Gallery,” August 29, 2022

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Irini Miga, “An Interview with Jonathan Ehrenberg…” Daily Lazy, July 30, 2022

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Zach Seeger, “Essex Flowers: Waiting to be Activated,” Two Coats of Paint, January 25, 2020

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Benjamin Sutton, “A VR Exhibition Pays Tribute to a Long-Gone Vegas Casino,” Hyperallergic, August 9, 2017

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Olga Dekalo, “In Practice: Fantasy Can Invent Nothing New,” catalog, SculptureCenter, 2016

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Emily Macaux, “Inner Vistas in Jonathan Ehrenberg’s The Outskirts,” Daily Serving, April 25, 2013

DailyServing.pdf
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Julie Chae, “The Cultural Landscape Architects: Nicelle Beauchene,” Huffington Post, May 2, 2012

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Gareth Harris, "Moving Pictures," Financial Times, Oct 11, 2011

FinancialTimes.pdf
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Howard Hurst, “NurtureArt’s ‘We Are’ Summer Experiment,” Hyperallergic, Sep 6, 2011

NurtureArt_WeAre.pdf
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"Jonathan Ehrenberg," The New Yorker, January 10, 2011

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Karen Rosenberg, “Art in Review: Jonathan Ehrenberg: ‘A Shadow as Big as a Hat,'"

The New York Times, January 7, 2011

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Benjamin Sutton, "Knock on Wood," The L Magazine, December 22, 2010

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Michael Amy, “Jonathan Ehrenberg at Earl McGrath,” Art in America, January 2002

ArtinAmerica.pdf